The Jester Interview:
engaged stand-up comedian Marc Maron has filled his plate with gigs
recently, doing the hour-long ďBreak Room LiveĒ show every weekday
afternoon at 3 p.m. on AirAmerica.com, a weekly performance of his
personal ďScorching The EarthĒ show (see
review) during March, and multiple regular stand-up sets many nights
a week around New York, as well as a new double CD, ďFinal Engagement.Ē
Jester witnessed a recent airing of ďBreak Room Live,Ē watching Maron
whip through a frenetic take on various news stories with his own
opinions scattered throughout, during which it seemed he barely took a
breath for 15 minutes or several stories at a time. The show also
included one of a few segments included throughout the week where Maron
toured his old Lower East Side hangouts. We spoke with him after the
show about his varied endeavors in comedy and broadcasting.
Jester: Is it tiring doing the show?
Marc Maron: We parse [the news] all day and then put some stuff
together and then whatever film pieces have to be loaded in, and then I
just try to find a through line and try to Ö Today didnít have much of a
through line but we covered some stories and did some funny stuff, we
did some variety, did some chat, did the improvisational stuff. It kinda
works all the vessels. A lot of people like it. We have a core group
that watches live every day, and a few thousand more people check it out
every day. Itís gone through a lot of changes but seems to be its own
thing, thatís for sure.
J: How long have you been doing BRL?
MM: I guess since Ö trying to think when the first show was. The Break
Room was a shift. It will be a year in September. Itís been about six or
eight months. My memory is turning into mush. I donít know why. I think
itís the cellphone.
J: Why 3 p.m.?
MM: Well thereís another show during the week that has the studio and
the equipment till 2:30, so we worked it out. It seems like a good time
for people at work to check in and Ö the live element, it is what it is.
I think we have for a live show on the Internet, and there arenít a lot
of them -- certainly not a lot of Internet-specific TV shows -- we do OK
with people. Itís a hook for the thing.
J: Sam Seder [sometime co-host of BRL] was talking about developing it,
MM: Sam was aspiring toÖ the original idea was to develop it for
television. The idea was going to be a petri dish to make it a TV show.
So him doing more remote pieces and me driving it in the studio was Ö a
move in that direction. That was decided by people who are a little
J: Are you in a lot of pieces like the Lower East Side tour?
MM: Yea, we do a lot of taped pieces, either the short ones with my cat
and the flip camera or larger, produced short film pieces. That ran all
week -- [the Lower East Side tour]. I thought it was pretty funny, I
thought it was pretty good. It adds a little variety to the show and
engages my interest a little more.
J: Did you reach your dealer? [In that dayís segment, he tried calling
his old coke dealer from the neighborhood]
MM: I got a fax machine, thank God.
J: How did you start melding politics and your political views with your
comedy and performing?
MM: I was always kinda political but not nuanced political. I was a
cultural commentator. My comedy has always been that. Itís either
self-reflecting or reflecting on broader ideas that are going out
cultural. Then when I got the job on the morning show on Air America, I
submerged or immersed depending on the day in a more nuanced
understanding of politics. That doesnít come to me naturally. Iím not
innately fascinated with the comings and goings of Congress and Senate
and whatnot. So I have to work at it. Mixing the two just became a
challenge -- how do I make it my own and come from a personal point of
view. That requires me to define what stories Iím engaged in and make it
more of a broader political conversation and something that means
something to me.
J: Are you looking at mainly the Post, the Times and New York papers?
MM: I look at Daily Beast, Talking Points, Huffington Post, Drudge
Report -- we kinda pull from a lot of places. Left to my own devices I
would probably just look at the Times. You have to look at these
aggregators and figure out whatís popping to you. Samís a little more
intuitive about that. Heís a little more into it than I am.
J: What catches your eye?
MM: Iím obsessed with the lies surrounding Afghanistan. I get off on the
marginalization of the Republicans right now. Iím still concerned about
Christian wackjobs. I like some of the stores like today about Penske
buying Saturn -- just stuff that has a broader effect on our lives, as
opposed to speculating about whatís going to happen in Congress. What
drives legislation is not my strong suit.
J: Do you pursue a lot of guests like Richard Ben-Veniste [the 9/11
commissioner and prosecutor]?
MM: Yeah, thatís true, definitely. We have good guests and we mix them
up, like Eric Bogosian, Gaffigan, we had Douglas Rushkoff, whoís an
interesting writer. We had Duncan Jones, David Bowieís son, who directed
that new film ďMoon;Ē James Frey -- the guests are really top quality. I
like to mix it up.
J: What brought you back to Air America?
MM: I needed money. [slight laugh], and this sort of fell into place, in
the middle of a nasty divorce. The opportunity came up and I couldnít
turn it down. I had worked here before. Thatís not necessarily a reason
to come back but this opportunity, creative freedom, to do something new
-- it provided all those things for us, and also to make a living.
Thatís a rare thing that all those things come together.