Mockumentary
centered on unlikely Latino folksinger fails to get laughs
By Michael Shashoua / Editor-in-chief
“El Superstar: The Unlikely Rise of Juan Frances,” an improvised comedy in
the Christopher Guest ensemble film style, released on DVD last month,
is something of an amateurish and odd attempt to match the style and dry
wit of those ensemble pieces.
The star and co-writer Spencer John French, a pale and rotund presence,
plays Juan Frances, a folk musician who at age 33 is living at home with
his adopted Latino family. Right there, it seems like an odd premise,
bordering on insensitive or mocking of Hispanic culture. It’s doubly odd
that Norman Lear and George Lopez are the executive producers who
championed this film’s release because both have expertly navigated race
and class issues within comedy, on television mostly. The material
they’re showcasing with this film doesn’t come close to their expertise,
however, and doesn’t even seem all that influenced by their shows.
There is a lot of quirky dialogue spoken by French and the supporting
cast, as the story of Juan Frances making it big in music, then getting
too egotistical for his own good, and returning to his true roots,
progresses. Only a few pieces of it really elicit laughs though, and a
lot of it is, as alluded to before, a sub-par version of Christopher
Guest dialogue that plays up how clueless the characters are about their
own shortcomings.
The director and co-writer is Amy French, Spencer’s sister, and knowing
that, it also seems that the film came together as something of a vanity
production. As such, the craft and performances are choppy at times,
with crowd scenes intercut for performances that are obviously lifted
out of stock footage. Other supporting cast members seem to have come
from the Frenches’ circle of friends, as a scheming manager is played by
David Franco with a over-the-top cheesy toupee and mustache. Maria
Esquivel, as Anjelica, Juan Frances’ girlfriend, is an energetic
presence, but is stuck with a cliché character as defined by the
Frenches.
“El Superstar” is well-intentioned but misguided in its execution, and
what is supposed to be funny in its plot and the performances comes off
as mildly amusing at best. Its makers have taken the mockumentary format
too readily and haven’t done enough with what they present in that style
to warrant an audience. Unfortunately, despite some critical praise by
others, “El Superstar” doesn’t really qualify as a cult favorite find.