Magic Time
New York Musical Theatre festival show
finds humor in plight of small-time children's performer
By
Michael Shashoua / Jester editor-in-chief
“Just Like Magic,” a musical comedy in the New York Musical
Theatre Festival that winds down this weekend, is carried by the
warm persona of its star, “Christopher T. Magician” (presumably
Christopher W. Barnes, who wrote the book and lyrics of the
show).
Barnes takes the audience on an arc of a struggling children’s
party magician, attired in loud, wide lapel purple suit, who
can’t help but let inappropriate material slip into his
performance, and let his fears and anxieties leak out into his
act.
The show never quite arrives at the cataclysm one might expect
from this plot set-up. Instead, it has more of a wry wit among
its frequent nods to kiddie entertainment, where Barnes
purposefully deploys bad puns and corny jokes to bring to life
the losing persona of his lead character. He’s joined onstage by
Ryan Lipnicky, playing keyboard accompaniment, and acting,
without speaking, like he doesn’t want to be there and detests
the magician he’s working with.
As far as deep convulsive laughter goes, that comes most often
when the magician is playing against himself with different
puppet characters on one hand, including a talking donut and a
dodo bird. The donut’s number is a song warning children of the
danger of strangers, delivered uproariously. Even better is the
magician’s shtick with “Jojo the Dodo,” in which his self-hatred
also leaks out into a battle with the puppet character at the
end of his own arm.
So there are a few resonant moments like this, and Barnes does
draw you in by making the lead magician character likeable and
sympathetic despite his flaws. And the overall tone of the show
is sunny, as the magician hero does rescue himself from his own
potential self-sabotage. The inappropriate slip-ups previously
mentioned could be sinking him since there may be a Nickelodeon
staffer at the birthday party where he’s performing. It bears
mentioning that Barnes also draws the audience in with a bit of
participation, in effect casting the audience in the role of the
children for whom he is performing.
“Just Like Magic,” seen October 13, had just three performances
in the festival, and does not have more performances currently
scheduled, but would be worth seeing if it returns. One does
wonder though what the show would be like if Barnes heightened
the stakes for his character, perhaps, or added more dire events
to the plot. Still, it’s an earnest and successful light
entertainment.
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