Repertory of the Future
New York
Neo Futurists showcase a little bit of everything in rapid-fire sketches
By
Cristina Merrill / Jester correspondent
On
Friday, June 25, the New York Neo-Futurists performed “Too Much Pride
Makes the Baby Go Gay,” a performance whose proceeds went to support
LGBT advocacy in Uganda. The show, performed for a packed house, was
based on the 12-member troupe’s usual act, “Too Much Light Makes the
Baby Go Blind,” composed of 30 stand-alone sketches meant to be
performed in 60 minutes. In a “race against time,” audience members pick
the numbers and the Neo-Futurists perform the corresponding sketches, a
challenge that is not always met. Friday night’s performance was a mix
of the funny, sweet, dramatic, peculiar and far-out. There are times
when the Neo-Futurists seem to be more interested in shocking than
performing, but they are an undeniably talented and dynamic group of
people with a unique approach to the stage.
Certain sketches were humorous with political undertones to them, such
as the opening sketch, entitled “The Last Homo: A Fairy Tale from the
Neo-Future.” The “Last Homo” in question is personified by a Yoda doll
wearing a sombrero and voiced by a Neo-Futurist. In this skit, the Yoda
doll talks about the past, when homosexuals were accepted and Neil
Patrick Harris was “the good president.” The twenty-fifth skit, “White
Liberal Guilt Made You Choose This Play,” involved three Neo-Futurists
pretending to be children and discussing race with a voiceover. In an
effort to promote racial unity, someone suggests “make one night a month
‘Bring Someone Brown to Dinner Night.’” “Like Oprah black?” one
Neo-Futurist child asks.
Other skits exhibited the experimental style for which the Neo-Futurists
are known. “The whisper play” involved the theatre going completely dark
and Neo-Futurists going amongst the audience and whispering things like
“sometimes I like to tell secrets,” prompting nervous giggles. Another
experimental skit that provoked laughter was “Meryl Streep Will Drink
Your Blood Now,” which involved several Neo-Futurists wearing aprons and
large paper masks of the famous actress.
There are times when the show became a little too unusual, such as when
Neo-Futurist Dan McCoy shoved part of a pickle up his anus in front of
an astonished, amused and sympathetic audience as part of the “Neo
Geographic” skit. Luckily though, the evening was interspersed with
humane, anecdotal material that brought everything back down to earth.
Christopher Borg and, interestingly enough, McCoy, are particularly
instrumental in this regard. In a sweet and endearing skit entitled “Art
Class,” Borg invited an audience member onstage to draw with him.
While they both drew on large sketchpads, Borg spoke about his own love
of art and his admiration of the woman who taught it to him: his
grandmother. McCoy was on-target in “June 5, 2002 (apology to an
umbrella skeleton),” in which he talks about his own experiences as an
aspiring artist and how he “harbors no grudge” against his disapproving
mother.
The Neo-Futurists frequently incorporated the audience into their act.
One skit, “Cupid’s Choice,” brought a female audience member to the
stage to win a Neo-Futurist for the night. She won Joey Rizzolo (“a
little hetero for the evening,” one Neo-Futurist observed) and they were
pronounced married for the rest of the show. The Neo-Futurists even went
so far as to the get audience up and dancing. Yes, the Neo-Futurists
loved their audience so much that they even sprayed water mist over them
(a welcome act in the crowded theatre), thereby making them arguably the
most considerate performers to ever grace any stage anywhere.
Overall, the show was a hit with its audience. Some of the skits were a
little too over the top, but they were counterbalanced by more earthy
performances done in good humor and style, thanks to the emotional range
of the performers. The Neo-Futurists’ frequent integration of the
audience is admirably risky, but as they are such a talented group of
people, there would be nothing wrong in them taking ownership over the
entire show.
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