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The Great Deceiver
PBS American Masters series profiles uncoventional magician Ricky Jay in manner befitting its subject
By Michael Shashoua / Jester editor-in-chief
The PBS American Masters special “Ricky Jay: Deceptive Practice,”
debuting Friday, January 23, takes a different tack than previous
specials in the series profiling comedy giants such as Johnny Carson
(see review, 5/12/12) and
Mel Brooks (see review, 5/18/13).
Those editions were more straightforward documentaries tracking the
lives and careers of their subjects.
“Deceptive Practice,” telling the story of respected magician and
actor Ricky Jay (a regular in David Mamet’s films and a recognizable
character in other recent classics such as “Boogie Nights”) through
a combination of interviews with Jay, archival clips, interviews
with collaborators and colleagues, and most unusually, a survey of
the history of magic performances and legendary early 20th
century magicians who influenced and in some cases personally
mentored Jay.
Magic can be both comedic and dramatic in theatrical performance.
Jay has done a few Broadway shows that blend both with magic and
show business history, notably “On The Stem,” which I saw about
eight years ago. “Deceptive Practice” takes a similar approach. As a
performer, Jay is steeped in the history of magic as much as Penn &
Teller (or maybe more so), and brings that forward in his
performances more than they do. Jay does so both to entertain and
educate. Ricky Jay’s approach is different, however, from the one
Jay Johnson takes with ventriloquism (see
review, 12/7/14), using explanations of the art form’s
history to make himself more relatable and tie himself to the
history.
In “Deceptive Practice,” Ricky Jay both explains the influence of
respected magicians Charles Miller and Dai Vernon on him, and their
significance and influence in the development of magic performances.
In co-directors Molly Bernstein and Alan Edelstein’s documentary
portrayal of Jay as a “Master,” his biographical arc is shown a bit
differently, through the fortunate survival of performance clips of
Jay as a child performing magic on television in the 1950s under his
real name, Ricky Potash, with narration by Dick Cavett. The
documentary returns to Jay as a young adult in the late 1960s, now
bearded and with long hair, beginning to make a name for himself as
an adult performer who was considered one of magic’s hot
“wunderkinds” at the time.
The variety of documentary techniques used in this one-hour special
pack quite a lot of information and convey great appreciation for
their subject. (Jay even gives a dramatic reading of a magic-themed
tribute poem Shel Silverstein wrote for him). Aside from the wealth
of information and context in “Deceptive Practice,” the variety of
forms and segments that comprise the special mirror Jay’s
versatility as a magician, actor, theatrical performer and author.
And if you were to watch only one segment out of the whole special,
there is a clip about 20 minutes in from a 1970s talk show in which
Steve Martin attempts to disrupt one of Jay’s card tricks by folding
one of the cards and Jay turns the tables on him in a way that is
truly priceless.
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© 2005-2018 Michael Shashoua