Slightly Loose
Sketch Revue
Comedy group Slightly Known People features its contemporaries more than
itself in shows
Slightly
Known People: Josh Mertz, Erik Bowie, Dan Maccarone, Melissa DeLancey
and Stuart Luth. Presenting a Halloween
edition of their sketch comedy, the group Slightly Known People,
appearing at downtown bar Rififi on October 20 as part of their regular
Saturday night residency there, took a scattershot approach nominally
framed by a campfire chat scene.
The opening segment of the campfire scene was longest and probably
worked the best of anything they did in a show punctuated by a lot of
guest performers, with group member Erik Bowie yearning for days of yore
when people would hike to a campsite, and make the smores themselves
around the fire, while fellow group member Dan Maccarone plaintively
argues it’s so much easier to take an SUV and use Pop Tarts, and sing
recent tunes rather than campfire songs.
Alternative stand-up Rob Gordon made a confidently boisterous entrance
to the proceedings with his scary story -- revolving around his worst
performing experience -- having to follow a newly
post-sex-change-operation duo of magicians who could produce long
streams of handkerchiefs from, well … take a guess…
Guest John Knefel of sketch group Bare Hand Wolf Chokers told a
shaggy-dog story with a Steven Wright-type sensibility about a wandering
burlesque performer, and the sketch group Buddy System presented a
filmed piece and a live sketch, both previously seen in their own shows
(see review).
Slightly Known People don’t really dominate their own show as a result
of all their guests and their role doing wraparounds for them, but they
closed the show with their own extended film piece, “The Were-Man,” that
featured members of the group not present for the night’s live show,
Josh Mertz and Stuart Luth, along with Melissa DeLancey, who was.
The group belabors the premise of “The Were-Man” a little too much, but
the short film does have its moments. Mertz, the protagonist of the
movie, after being bit by Luth’s “were-man” character, regularly
transforms into a very sociable 1930s dandy, while when he is in his
normal state, he’s rather cheap and unfriendly. The film gets good in
its latter half when Mertz as a “were-man” hooks up with DeLancey’s
character, who falls for his were-man persona, but then wakes up at her
place the next day and is kicked out when she doesn’t like his normal
self.
All in all, Slightly Known People certainly show that they have talent,
but their momentum gets lost by chopping up their show to fit in all the
guests, as good as the guests might be. They also indulge themselves a
bit too much, especially evident in the extraneous notes in the
“Were-man” film. It may sound strange, but a combination of giving
themselves room to breathe and a continuous flow of performance, with
judicious editing of their own material, could be what Slightly Known
People needs. |